From the category archives:

The Art World

Book Review: Sam Lipsyte’s The Ask

The Art World June 16, 2010
Sam Lipsyte's The Ask

I just had my first book review, of Sam Lipsyte’s novel, The Ask, published by Slant Magazine. Started by a former Times writer, Slant is a pop culture criticism magazine and I’m in exceptionally good company. It is a total honor to have my writing alongside the writers there.

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Nic Rad: The 1st Social Media Artist

The Art World January 20, 2010
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Nic Rad is a Brooklyn-based artist. He is about to be very important. There are several reasons.

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I Heart My Art: An Interview with Blair Prentice

The Art World January 2, 2010
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Blogs have proven to be an incredible asset to the art world. They have begun to embrace the incredible power of these sites because they have proven that they are able to promote and stimulate dialogue about new and old projects. The greatest part about these sites is that for the large part they are subsidized by the endless curiosity and passion that these bloggers have for art.

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What Art Galleries Can Do With Social Media

The Art World December 26, 2009
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Imagine having 500 brand evangelists privy to your content, running around town telling all their friends and loved ones about it, your gallery, the artists you represent and champion. Imagine them sharing your articles and videos on Facebook, checking into your gallery on Foursquare or Gowalla, linking to your blog from their own

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Social Media and Art Galleries

The Art World December 23, 2009
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As far as the information revolution goes, social media is the tip of the spear and it is a real disappointment to see galleries and artists all but ignoring social media. That is not to say there are not exceptions to the rule, in fact, a brief perusal of Twitter and the blogosphere informs us that there are tons of artists, galleries, auction houses and museums embracing social media.

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Social Media and the Art World

The Art World December 21, 2009
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Is Social Media a form of artistic expression? Is it just a set of tools with no implications beyond messaging in new ways? How are artists using social media? And are any self-conscious artists looking at social media the same way they look at their chisels, brushes and cameras?

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